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Electro-Voice's headquarters were in Buchanan, Michigan until the merger with Telex Communications. [2] [15] In June 2006, EV, along with all of Telex Communications, became part of Bosch Security Systems division. [16] Today EV manufactures widely used broadcast microphones as well as loudspeakers and various other professional audio equipment ...
The E-T was a prototype concept by Nippon Gakki (known today as Yamaha). It consisted of one console, four oscillators, a tone-forming part widening device, and three speakers. The consoles consisted of a three-stage keyboard, a 32-key pedal keyboard, and 171 switches of sounds and other functions. [4] 1959 — Prototype ET-5 and EM-6
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
PSR-E473 / PSR-EW425 (2021, 820 high-quality voices with Super Articulation Lite and 1 sample voice for sampling, 290 styles,30 built-in songs, 10 user songs, 8 banks with 4 registrations, and groove generator) The EW425 offers 76 keys and features phono jacks for connecting external powered speakers. The E473 has 61 keys.
An extended-ratings version of the 6P14P is also available, the 6P14P-EV (Cyrillic: 6П14П-ЕВ), and it is known among US guitar players as EL84M or the Russian military EL84. While not necessarily a true military version of the tube (in fact it is more comparable to the 7189), 6P14P-EVs are known for their low noise and durability.
The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...
Bozak shifted from using McIntosh amplifiers for powering his loudspeakers to using Marantz amplifiers. The B-401 Rhapsody speaker was reviewed in August 1974, in High Fidelity, [18] where it was said to have good power handling and a more constant impedance curve than most. [19] Other auditors found a lack of bass response. [20]
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...