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Plate XLIII from Samuel Pepys's hand-coloured copy of Francis Willughby's 1678 Ornithology [1]. Early scientific works on birds, such as those of Conrad Gessner, Ulisse Aldrovandi and Pierre Belon, relied for much of their content on the authority of the Ancient Greek philosopher Aristotle and the teachings of the church, [2] [3] and included much extraneous material relating to the species ...
The limited backgrounds contain rocks or branches with some foliage contoured closely to the body of the bird. The paintings that have no backgrounds are perhaps unfinished, or may be the victims of Gwillim’s constant shortage of art supplies.
The style of his art might be described as conservative realism, most images having an almost photographic quality, although he is often comfortable leaving out detail in the backgrounds. Ching's work is primarily of birds, but has also included other wildlife landscapes and portraits. Raymond Ching paintings usually fetch six figures.
Archibald Thorburn FZS (31 May 1860, Lasswade, Midlothian – 9 October 1935, Hascombe, Surrey) [1] was a Scottish artist who specialised in wildlife, painting mostly in watercolour. He explored Scotland to sketch birds in the wild, his favourite haunt being the Forest of Gaick near Kingussie in Invernesshire .
The Barbarians (painting) The Beakful; List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger)
An Experiment on a Bird in the Air Pump is a 1768 oil-on-canvas painting by Joseph Wright of Derby, one of a number of candlelit scenes that Wright painted during the 1760s. The painting departed from convention of the time by depicting a scientific subject in the reverential manner formerly reserved for scenes of historical or religious ...
The painting shows a life-size European goldfinch (Carduelis carduelis) on top of a feeder—a blue container with a lid, enclosed by two wooden half-rings fixed to the wall. The bird is perched on the upper ring, to which its leg is attached by a fine chain. [7] [8] The painting is signed and dated "C fabritivs 1654" at the bottom. [1]
The Floating Feather is the commonly used name for an oil-on-canvas painting by Dutch artist Melchior d'Hondecoeter, properly titled A Pelican and Other Birds Near a Pool. The fine detail of the feather floating on the pond led to the "official" title being quickly supplanted.