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The male painted bunting is often described as the most beautiful bird in North America and as such has been nicknamed nonpareil, or "without equal". [9] Its colors, dark blue head, green back, red rump, and underparts, make it extremely easy to identify, but it can still be difficult to spot since it often skulks in foliage even when it is ...
The Barbarians (painting) The Beakful; List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger)
Rex Brasher (July 31, 1869 [1] – February 29, 1960) was an American watercolor painter and ornithologist in the vein of John James Audubon and Louis Agassiz Fuertes.Brasher's 875 surviving paintings depicted 1,200 species and sub-species of North American birds in accurate detail, representing all the species and sub-species identified in the American Ornithologists’ Union’s Checklist of ...
Its name is Indian, and signifies, in the Illini, "The Bird That Devours Men." The original Piasa Creek ran through the main ravine in downtown Alton, and was completely covered by huge drainage pipes around 1912. According to the story published by Russell, the creature depicted by the painting was a huge bird that lived in the cliffs.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Louis Agassiz Fuertes (February 7, 1874 – August 22, 1927) was an American ornithologist, illustrator and artist who set the rigorous and current-day standards for ornithological art and naturalist depiction and is considered one of the most prolific American bird artists, second only to his guiding professional predecessor John James Audubon.
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Heade was the first artist to paint live hummingbirds in their natural environment as opposed to dead hummingbirds in a studio setting. [7] According to Stebbins, "during the early 1870s Heade moved from conventional still-life compositions, in which he would typically paint a vase of flowers resting on a table indoors, to a highly unusual format–hardly a 'still-life' at all–where he would ...