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The formal introduction of the Beloved Disciple is a “stunningly apparent” stroke of "narrative genius", [30] for he is introduced immediately after Jesus demonstrates his love for the disciples in the act of washing the disciples' feet (John 13:1–20) and immediately before the commandment to “love one another just as I have loved you” .
Christ Washing the Disciples' Feet was a favourite theme of Tintoretto, and there are at least six known works by him on the subject. The scene comes from a passage in John 13 where before the Last Supper Christ washes the feet of his disciples. This passage called for a complex image with many characters in a variety of poses and motions, and ...
Detail showing the influence of Michelangelo's anatomy on the artist.. The painting depicts a scene from the Gospel of John in which it is narrated that at the Last Supper Jesus rose from the table, took off his cloak and tied a towel around his waist and began to wash his disciples' feet.
Pages in category "Paintings of Christ washing the disciples' feet" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes .
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; ... Paintings of Christ washing the disciples' feet (3 P)
Jesus washing Peter's feet. Painted by Ford Madox Brown.. In the New Testament Jesus washes his disciples' feet prior to his crucifixion. [10] Joseph Smith published his own version of these New Testament passages, adding new materials which said, "Now this was the custom of the Jews under their law; wherefore, Jesus did this that the law might be fulfilled."
The technique allowed hime to create a pentimento in the shadow under the lamp in the center, between Mary and Jesus. [2] This is speculated to be Judas, who in John 12, criticized Mary for spending money on Jesus when she washed his feet, using perfume and wiping his feet with her own hair. [2] Different photo-edits of the painting
Christ Washes the Disciples' Feet is a 1622 oil on canvas painting by Battistello Caracciolo for the church of the Certosa di San Martino in Naples, where it still hangs. [1] It is held to be one of the artist's masterpieces.