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Oasis is a trademarked name for wet floral foam, the spongy phenolic foam used for real flower arranging. [3] It soaks up water like a sponge and acts both as a preservative to prolong the life of the flowers and a support to hold them in place.
Floral foam is a piece of dense foam that holds moisture and keeps flowers in place. Most floral foam has a specific container that can hold the foam without anything more than placing it into the container. However, floral foam can be cut into any shape, and therefore placed in any container. [19]
Foam glass gravel is light and dimensionally stable, with a lambda rating of 0.08 W/mK and a specific weight of 150 kg per cubic metre. Being made from glass, the aggregate is non-combustive and inert, ageing resistant, pH neutral and insect and rodent resistant.
SEM micrograph of a glass microsphere in concrete. Glass microspheres are microscopic spheres of glass manufactured for a wide variety of uses in research, medicine, consumer goods and various industries. Glass microspheres are usually between 1 and 1000 micrometers in diameter, although the sizes can range from 100 nanometers to 5 millimeters ...
Garland painting in the Prado. Nicolaes van Verendael was a respected flower painter in Antwerp who worked with Jan Davidsz. de Heem, among others.The early provenance of this painting is unknown but it can be dated based on other works by Van Verendael, such as his garland painting in the Prado which was long attributed to Jan Brueghel the Elder, who began floral painting in Antwerp a half ...
Syntactic foam, shown by scanning electron microscopy, consisting of glass microspheres within a matrix of epoxy resin. Syntactic foams are composite materials synthesized by filling a metal, polymer, [1] cementitious or ceramic matrix with hollow spheres called microballoons [2] or cenospheres or non-hollow spheres (e.g. perlite) as aggregates.
Painted Classic Period vase from Sacul in Guatemala. Maya ceramics are ceramics produced in the Pre-Columbian Maya culture of Mesoamerica. The vessels used different colors, sizes, and had varied purposes. Vessels for the elite could be painted with very detailed scenes, while utilitarian vessels were undecorated or much simpler.
White Lilacs in a Glass Vase (German: Der Fliederstrauß; French: Lilas blanc dans un vase de verre) is an 1882 oil-on-canvas painting by Édouard Manet, now in the Alte Nationalgalerie, in Berlin. Showing cuttings of white lilacs in a glass vase, it is one of a series of flower still lifes by the painter.