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He was inspired by Pieter de Hooch and Vermeer, and painted both on wood panel and, as in the case of Le bain, on canvas. Stevens made his name in Paris as a painter of beautifully dressed ladies. [1] Unlike Franz Xaver Winterhalter, the official portraitist of the French imperial family, Stevens chose his models among the wealthy upper class ...
The Reign of Quantity and the Signs of the Times (French: Le Règne de la Quantité et les Signes des Temps) is a 1945 book by the French intellectual René Guénon, in which the author offers a comprehensive explanation, based on tradition, of the cyclical conditions that led to the modern world in general and to the Second World War in particular.
Le Déjeuner sur l'herbe (French: [lə deʒœne syʁ lɛʁb,-ʒøn-]; The Luncheon on the Grass) – originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting.
According to art historians Daniel Arasse and Joséphine Le Foll, [4] two biblical stories are intertwined in this painting: [5] The theme of Susanna is suggested by the presence of the fountain and an old man, but there is only one (if one considers that the elders are the ones in the arcades, while the presence of man in red in the foreground ...
L'Origine du monde ("The Origin of the World") is a picture painted in oil on canvas by the French painter Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread.
Cantique de Jean Racine (Chant by Jean Racine), Op. 11, is a composition for mixed choir and piano or organ by Gabriel Fauré.The text, "Verbe égal au Très-Haut" ("Word, one with the Highest"), is a French paraphrase by Jean Racine of a Latin hymn from the breviary for matins, Consors paterni luminis.
The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. [1] The painting depicts a group of nude women at a pool in a harem. [1] It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter.
Le Bain de Diane (The Bath of Diana) is a French 1550s painting attributed to François Clouet, located in the Musée des Beaux-Arts, Rouen. [1] According to Eckhardt Knab, writing in The Dictionary of Art , it is an example of an allegorical landscape and refers to the marriage of Francis II and Mary Stuart , who is depicted as Diana in the ...