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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Hudoq is a masked dance performed during the Erau harvest thanksgiving festival by many of the sub-groups of the Dayak ethnic group in East Kalimantan province, Indonesia. [1] The Hudoq culture and performance are indigenous to the Dayak population of East Kalimantan province, and they are said to have originated from Mahakam Ulu Regency .
The following is a list of Dayak groups and their respective languages in West Kalimantan province, Indonesia: [1] [2] List ... Bakati' Tari' Bakati' Bengkayang: Bidayuh:
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Some of the Ibans in Brunei and West Kalimantan also use the steps in Ngajat Serakup from Sarawak because of it uniqueness, complexity and elegance. Ngajat Indu [nga-jat in-duq] Ngajat Bebunuh [nga-jat bē-bu-nuēh]: Presented by the young men of the community, this dance is a replication or repetition of what men do when confronted by enemies ...
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
Babukung is a funeral dance ritual of the Kaharingan religion in Central Kalimantan, Indonesia. It is performed by sub-Dayak ethnic groups, especially the Tomun people, Ngaju people, Ot Danum people and other Dayak tribes who still embrace the Kaharingan religion. [1] It came from Borneo, where it has historical and philosophical value.
The area continues up to the adjacent West Kalimantan border, where they reside in Kembayan, Noyan, Sekayam, and Jangkang district in Sanggau Regency. The area in which they live is mainly in the basin of the Sarawak River and hilly to a mountainous forest, traditionally worked by rotational agriculture and hunting based around farms populated ...