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Christian Johann Heinrich Heine (/ ˈ h aɪ n ə /; German: [ˈhaɪnʁɪç ˈhaɪnə] ⓘ; born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry , which was set to music in the form of Lieder (art songs) by composers such as Robert ...
Winter landscape near Schmitten, Hesse. The opening of the poem is the first journey of Heinrich Heine to Germany since his emigration to France in 1831. However it is to be understood that this is an imaginary journey, not the actual journey which Heine made but a literary tour through various provinces of Germany for the purposes of his commentary.
Die Lotosblume [1] ("The Lotus Flower") is a poem written by Heinrich Heine, and published in his Buch der Lieder (The Book of Songs, 1827). [2] Set to music by Robert Schumann in 1840, [3] this Lied is part of Schumann's Myrthen collection (op. 25 no. 7)) [4] and Six Songs for Männerchor (op. 33 no. 3).
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
On Wings of Song, Sweetheart, I carry you away, Away to the fields of the Ganges, Where I know the most beautiful place. There is a garden of red flax
Heine's Buch der Lieder is divided into five sections; all the poems set in Schwanengesang are from the third, Die Heimkehr (The Homecoming). In Schwanengesang, this song stands at the end of the Heine songs, although Heine's order is different and it has been argued that the sequence works better dramatically when the songs are performed in their order of appearance in the Buch der Lieder.
"The Silesian Weavers" (also: Weaver-song) is a poem by Heinrich Heine written in 1844. It is exemplary of the political poetry of the Vormärz movement. It is about the misery of the Silesian weavers, who in 1844 ventured an uprising against exploitation and wage decreases, and thereby drew attention to the grievances originated in the context of industrialization.
The writer Heinrich Heine coined the term Lisztomania to describe the outpouring of emotion that accompanied Liszt and his performances. Heine wrote a series of musical feuilletons over several different music seasons discussing the music of the day. His review of the musical season of 1844, written in Paris on 25 April 1844, is the first place ...