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[15] In some sub-Saharan music and music of the African diaspora, the bell pattern embodies this definition of period. [16] The bell pattern (also known as a key pattern, [17] [18] guide pattern, [19] phrasing referent, [20] timeline, [21] or asymmetrical timeline [22]) is repeated throughout the entire piece, and is one of the principal units ...
A bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals. It is often a key pattern [ 1 ] [ 2 ] (also known as a guide pattern , [ 3 ] phrasing referent , [ 4 ] timeline , [ 5 ] or asymmetrical timeline [ 6 ] ), in most cases it is a metal bell ...
The bell itself weighs 66,000 pounds (30,000 kg); with clapper and supports. The total weight which swings when the bell is rung is 89,390 pounds (40,550 kg). The largest Bell of the People's Salvation Cathedral is the largest free-swinging church bell in the world, surpassing the Petersglocke of Cologne Cathedral.
Dōtaku (bell-shaped; bronze), Yayoi period, 1st-2nd century A.D. Physically, the body of a dōtaku consists of "a truncated cone shape" [3] with an oval cross-section [6] and "has rows of horizontal bands divided in the center by a vertical row". [3]
The structure of Afro-Brazilian bell patterns can be understood in terms of the clave concept (see below). Although a few contemporary Brazilian musicians have adopted the 3–2/2–3 terminology, it is traditionally not a part of the Brazilian rhythmic concept. Bell pattern 1 is used in maculelê (dance) and some Candomblé and Macumba rhythms.
The Angelus, depicting prayer at the sound of the bell (in the steeple on the horizon) ringing a canonical hour.. Oriental Orthodox Christians, such as Copts and Indians, use a breviary such as the Agpeya and Shehimo to pray the canonical hours seven times a day while facing in the eastward direction; church bells are tolled, especially in monasteries, to mark these seven fixed prayer times.
A bell that is up is dangerous to be near, and only expert ringers should ever contemplate entering a bell chamber or touching a rope when the bells are up. To raise a bell, the ringer pulls on the rope and starts the bell swinging. Each time the bell swings the ringer adds a little more energy to the system, similar to pushing a child's swing.
Call change ringing is a branch of the art of change ringing, in which a group of English-style full-circle bell ringers are instructed continually to create different sequences, or changes, of the bells' striking order. Each command from the leader or "conductor" of the ringing results in a new sequence of sounding the bells.