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Anthropomorphic cat guarding geese, Egypt, c. 1120 BCE. Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or ...
Fables, Ancient and Modern contains translations of the First Book of Homer's Iliad, eight selections from Ovid's Metamorphoses, three of Geoffrey Chaucer’s Canterbury Tales (and an imitation from the Prologue on "The Character of a Good Parson"), the later medieval poem The Flower and the Leaf, which he thought was by Chaucer, and three ...
Though the fable is frequently a subject of children's literature, Jerry Pinkney's The Lion & the Mouse (2009) tells it through pictures alone, without the usual text of such books, and won the 2010 Caldecott Medal for its illustrations. [29] The story is updated and adapted to fit the conditions of the Serengeti National Park, in which it is ...
La Fontaine's fable was later set by Paul Bonneau among his 10 Fables de La Fontaine (1957) and Aesop's is the fourth of five pieces by Anthony Plog for narrator, piano and horn (1989/93). [11] Later it also appeared among the three in Canadian Yvonne Gillespie's Aesop's Fables for narrator and full orchestra (2001).
David Edgar Walther prefers the term 'short operatic drama' for his Aesop's Fables (2009), a 12-minute cycle with libretto by the composer in which "The Fox and The Raven" appears as the first of three pieces. The fable was also choreographed by Dominique Hervieu in 2003 for Annie Sellem's composite ballet project, Les Fables à la Fontaine. In ...
The Hot Gates is the title of a collection of essays by William Golding, author of Lord of the Flies. The collection is divided into four sections: "People and Places", "Books", "Westward Look" and "Caught in a Bush". Published in 1965, it includes pieces that Golding had written over the previous ten years.
The standard medieval interpretation of the fable, however (which Henryson follows) came down firmly against the cockerel on the grounds that the jewel represents wisdom rather than mere wealth or allure. This interpretation is expressed in the verse Romulus, the standard fable text across Europe in that era, written in the lingua franca, Latin.
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin