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Fasthand (Italian: Mi chiamavano "Requiescat"... ma avevano sbagliato, Spanish: Mano rápida, also known as Fasthand is Still My Name and Fast Gun Is Still My Name) is a 1973 Italian-Spanish Spaghetti Western film directed by Frank Bronston [1] and starring Alan Steel, William Berger and Frank Braña.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
"Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart. [ 1 ] [ 2 ] The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring.
A young poet encounters a cowboy in a local bar and is struck by his thin, worn appearance from years of hard work. Sensing the cowboy has words of inspiration to share, the poet approaches the cowboy, who responds that the only good things in life are "faster horses, younger women, older whiskey and more money."
"One Hand, One Heart" is a song from the musical West Side Story by Leonard Bernstein and Stephen Sondheim.It is a duet sung between Maria and Tony while they have a make-believe wedding, as seen in the stage version and 1961 film, while in the 2021 film, they sing it as they pledge their love to one another inside a church at The Cloisters as part of their date.
"Give Me Your Hand" (Irish: Tabhair dom do Lámh) is a tune from early 17th century Ireland by Rory Dall O'Cahan. It is one of the most widely recorded pieces of Irish traditional music. It is one of the most widely recorded pieces of Irish traditional music.
Run so fast, Run so fast! Tell me where you're going, Tell me where you're going! Let me know, Let me know! Where's your hand? Where's your hand? Over here! Over here! How are you today, dear? Very well, I thank you! Goodbye! Cheers! Goodbye! Cheers!
The patter song is characterised by a moderately fast to very fast tempo with a rapid succession of rhythmic patterns in which each syllable of text corresponds to one note. [1] It is a staple of comic opera , especially Gilbert and Sullivan , but it has also been used in musical theatre and elsewhere.