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The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [1]
Ai-Da can be displayed in either a standing or seated position; although it has legs, it cannot walk. [12] A pair of cameras in the robot's eyes allow the robot to both make eye contact and, in conjunction with a computer vision algorithm and a modified robotic arm, create sketches of the robot's surroundings. [10]
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A major concern raised about AI-generated images and art is sampling bias within model training data leading towards discriminatory output from AI art models. In 2023, University of Washington researchers found evidence of racial bias within the Stable Diffusion model, with images of a "person" corresponding most frequently with images of males ...
Zone 414 is a walled city of state-of-the-art androids, humanoid robots which cater to wealthy clients, providing companionship and sex. The Zone is run by a corporation owned by the androids' inventor, Marlon Veidt, and his brother, the psychologist Joseph Veidt. Marlon realizes that his adult daughter Melissa has gone missing inside Zone 414.
Sorayama began drawing erotic art of gynoid robots in 1983. [5] His pin-up work appeared monthly for years in the pages of Penthouse magazine, and Playboy TV later aired made a television special on Sorayama's art. [citation needed] In an interview, he said pin-up was his "mania", commenting that "I've been drawing them since high school. Back ...
Nadine is a gynoid humanoid social robot that is modelled on Professor Nadia Magnenat Thalmann. [1] The robot has a strong human-likeness with a natural-looking skin and hair and realistic hands. Nadine is a socially intelligent robot which returns a greeting, makes eye contact, and can remember all the conversations had with it.
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