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After Tony's suggestion, Noel went to the corner and quickly wrote down the lyrics, and then Oasis began recording "Supersonic". [23] To record the song, Scott had to remove a take of "I Will Believe" because he did not have a spare tape. [19] Bonehead used a Gibson SG guitar owned by Scott and a Marshall JCM900 amplifier owned by Chris ...
Betim Januzi (Albanian: [bɛ'tim 'januzi]; born 29 March 1995), known professionally as Buta, is a Kosovo-Albanian rapper. Life and career
"This Must Be the Place (Naive Melody)" is a song by new wave band Talking Heads. The closing track of their fifth studio album Speaking in Tongues, it was released in November 1983 as the second and final studio [a] single from the album; a live version would be released as a single in 1986.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
"Age Ain't Nothing but a Number" was described by The Boombox as a "soulful ballad" with Aaliyah "crooning of longing for an older lover". [1] Tonya Pendleton from The Washington Post, said it was a "seductive entreaty to an older lover to forget their age difference and allow their relationship to ripen". [2]
Cache Cœur Naïf is an EP by German electronica band Mouse on Mars.It was released in 1997 on Too Pure Records, Thrill Jockey Records and Rough Trade Records.It was recorded in collaboration with British band Stereolab, which had also co-created their album Dots and Loops and the Miss Modular EP with Mouse on Mars.
Diminished seventh chords may also be rooted on scale degrees other than the leading-tone, either as secondary function chords temporarily borrowed from other keys, or as appoggiatura chords: a chord rooted on the raised second scale degree (D ♯ –F ♯ –A–C in the key of C) acts as an appoggiatura to the tonic (C major) chord, and one ...
Seventh (F), in red, of a G7 dominant seventh chord in C Third inversion G7 chord; the seventh is the bass. In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. [1] When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion Play ⓘ.