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By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
The "Gong Mo" Dance was later known as the Scarf Dance (巾舞). The dance is performed with a long scarf held in each hand, and is similar to today's Long Silk Dance. Liu Bang was also said to be fond of the war dance of the Ba people , called the Bayu (巴渝) dance and known in later eras in various names such as Zhaowu (昭武) in the ...
Qigong is commonly classified into two foundational categories: 1) dynamic or active qigong (dong gong), with slow flowing movement; and 2) meditative or passive qigong (jing gong), with still positions and inner movement of the breath.
Such practices eventually led to direct conflict with the central authorities. By 1999, there was a systematic crackdown on qigong organizations that were perceived to challenge state control over Chinese society, including shutdown of qigong clinics and hospitals, and banning groups such as Zhong Gong and Falun Gong.
From the new music came a new form of dance known as b-boying or breakdancing, a style of street dance consisting of improvised acrobatic moves. The pioneers of this dance credit kung fu as one of its influences. Moves such as the crouching low leg sweep and "up rocking" (standing combat moves) are influenced by choreographed kung-fu fights. [79]
The Baduanjin qigong (八段錦) is one of the most common forms of Chinese qigong used as exercise. [1] Variously translated as Eight Pieces of Brocade, Eight-Section Brocade, Eight Silken Movements or Eight Silk Weaving, the name of the form generally refers to how the eight individual movements of the form characterize and impart a silken quality (like that of a piece of brocade) to the ...
Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
The structure of the music is similar to gong kebyar, although employing a four-tone scale. A pair of jegog metallophones carries the basic melody, which is elaborated by gangsa, reyong, ceng-ceng, flute, and small drums played with mallets. A medium-sized gong, called kempur, is generally used to punctuate a piece's major sections.