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Étude Op. 25, No. 1 in A-flat major is a solo piano work composed by Frédéric Chopin in 1836, and published in 1837. The work consists entirely of rapid arpeggios and harmonic modulations based on A-flat major .
Études Op. 10, Études Op. 25 at Chopin Online, University of Cambridge; Études Op. 10, Études Op. 25: Scores at the International Music Score Library Project; Free scores of the Etudes at Mutopia Project; Hans von Bülow's edition of the Études, Opp. 10 and 25 (Munich: J. Aibl, 1880) From Sibley Music Library Digital Scores Collection
Étude Op. 25, No. 3, in F major, is a technical study composed by Frédéric Chopin in 1836. The romanticized nickname of this piece (not given by Chopin, who thought that idea was repulsive) is "The Horseman" or "The Knight", probably because of its "galloping" style.
First measures of Chopin's Étude Op. 25, No. 2. (Urtext edition). Étude Op. 25, No. 2, in F minor, is an étude composed by Frédéric Chopin. It was marked 'Presto'. It was preceded by a relative major key. It is based on a polyrhythm, with pairs of eighth-note (quaver) triplets in the right hand against quarter-note (crotchet) triplets in ...
Étude Op. 25, No. 5 in E minor, is a technical study composed by Frédéric Chopin in 1837. Marking a serious departure in the expected technique developed previously, Chopin wrote this étude with a series of quick, dissonant minor seconds .
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
Étude Op. 25, No. 11 in A minor, often referred to as Winter Wind in English, is a solo piano technical study composed by Frédéric Chopin in 1836. It was first published together with all études of Opus 25 in 1837, in France, Germany, and England.
Étude Op. 25, No. 9 in G-flat major, known as the Butterfly étude, is an étude by Frédéric Chopin. The title Butterfly was not given by Chopin (as is true for all Chopin pieces with such titles); however Arthur Friedheim said, "while some titles were superfluous, this one is inadequate."