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The song being performed at the end of the 1929 cartoon Finding His Voice. Charles Ives quoted the song in A Symphony: New England Holidays (1897–1913): I. Washington's Birthday, towards the end of the movement. Meredith Willson features the piece as the tenth number in The Music Man (1957).
The Ketchup Song" a.k.a. "Aserejé" (2002) by Las Ketchup "Bad Habits" (2016) by The Last Shadow Puppets "Me Leva" (1994) by Latino "Não adianta chorar" (1994) by Latino "The World Is Stone" (1992) by Cyndi Lauper "Babe I'm Gonna Leave You" (1969) by Led Zeppelin "Stairway To Heaven" (1971) by Led Zeppelin "Sleeping Beauty" (1978) by Lene Lovich
"Spanish Lady" is a traditional Irish folk song, also found in England. The Bodleian Library has several broadsides of an English ballad with this name, one dating from the 17th century. [1] Fragmentary or related versions from the US date from 1883. It is #542 [2] in the Roud Folk Song Index.
"Spanish Ladies" (Roud 687) is a traditional British naval song, typically describing a voyage from Spain to the Downs from the viewpoint of ratings of the Royal Navy. [1] Other prominent variants include an American variant called "Yankee Whalermen", an Australian variant called " Brisbane Ladies ", and a Newfoundland variant called " The ...
Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times [1] by recording artists. The song is that of a man telling a woman (from Málaga , Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting ...
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To this typical progression other transition chords can be added. For example, D7 is often used in the transition to G Major. A minor often appears in guitar interludes (or even during the singing, as in the case of the Malagueña del Mellizo). These chords can also be transported by using a capo on the guitar, maintaining the same chord positions.
Whereas you have a lot of bass players playing the root of the guitar chord, and that’s your song, [here] I’m playing one line, he’s playing a contradictory line, and it creates this ...