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"Sirens," an ambling succession of melodies and ripples; 4. "Hymn," an interlude for just five instruments; 5. "False Waltz," a rollicking affair shaped like a pyramid (soft to loud to soft); 6. "Résumé and Prayer" is just that: a cadenza reviving briefly all the foregoing matter, and closing on a very quiet note. [1]
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
Summer Music, for flute and piano; Lennox Berkeley. Mazurka for piano; Sonnet for high voice and piano; Michael Berkeley. The Crocodile and Father William, for girls choir; Easter, anthem for choir, organ and brass; Gregorian Variations for orchestra; Guitar Sonata in one movement; Nocturne for flute, harp, violin, viola and cello; Piano Trio
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Liesl Stoltz (flute), Jose Dias (piano), Francois du Toit (piano), Jacqueline Kerrod (harp). Explorations – South African Flute Music. Cape Town: SACM Productions, 2015; Preludio and Umsindo from Partita africana. Renée Reznek (piano). From my beloved country – New South African piano music. London: ASC Records, PFCD055, 0607128 998792, 2017
Bohuslav Martinů's Sonata for Flute and Piano, H. 306, was composed in 1945 in South Orleans, Cape Cod, [1] during the composer's five years in the USA following his escape from occupied France. [2] The work was composed for George Laurent who was the principal flute of the Boston Symphony Orchestra from 1918 to 1952. [ 3 ]
It is scored for solo flute and strings [1] [2] and was premièred on 24 January 1950 by soloist Jean-Pierre Rampal. [3] Jolivet wrote a concerto for flute and percussion in 1965. [4] The work lasts about 13 minutes. [3] It is now part of the standard flute repertoire and several prominent flautists have recorded it.
The Magnificat by John Rutter is a musical setting of the biblical canticle Magnificat, completed in 1990.The extended composition in seven movements "for soprano or mezzo-soprano solo, mixed choir, and orchestra (or chamber ensemble)" [1] is based on the Latin text, interspersed with "Of a Rose, a lovely Rose", an anonymous English poem on Marian themes, the beginning of the Sanctus and a ...