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"Sirens," an ambling succession of melodies and ripples; 4. "Hymn," an interlude for just five instruments; 5. "False Waltz," a rollicking affair shaped like a pyramid (soft to loud to soft); 6. "Résumé and Prayer" is just that: a cadenza reviving briefly all the foregoing matter, and closing on a very quiet note. [1]
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
10. In vain the Am'rous Flute and soft Guitarr, Jointly labour to inspire Wanton Heat and loose Desire; Whilst thy chaste Airs do gentle move Seraphic Flames and Heav'nly Love. 11. The Fife and all the Harmony of War, In vain attempt the Passions to alarm, Which thy commanding Sounds compose and charm. 12. Let these amongst themselves contest,
The rites and prayers in the Blessing Way are concerned with healing, creation, harmony and peace. The song cycles recount the elaborate Navajo creation story (Diné Bahaneʼ). One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1]
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The Magnificat by John Rutter is a musical setting of the biblical canticle Magnificat, completed in 1990.The extended composition in seven movements "for soprano or mezzo-soprano solo, mixed choir, and orchestra (or chamber ensemble)" [1] is based on the Latin text, interspersed with "Of a Rose, a lovely Rose", an anonymous English poem on Marian themes, the beginning of the Sanctus and a ...
Aria : What passion cannot music raise and quell! Aria (tenor) and Chorus: The trumpet's loud clangour; March; Aria (soprano): The soft complaining flute; Aria (tenor): Sharp violins proclaim their jealous pangs; Aria (soprano): But oh! What art can teach; Aria (soprano): Orpheus could lead the savage race
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