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Before computers were invented, and thus becoming computerized (or digital) typesetting, font sizes were changed by replacing the characters with a different size of type. In letterpress printing, individual letters and punctuation marks were cast on small metal blocks, known as "sorts," and then arranged to form the text for a page.
The compositor takes the pieces of type from the boxes (compartments) of the type case and places them in the composing stick, working from left to right and placing the letters upside-down with the nick to the top. Early composing sticks were made of wood, but later iron, brass, steel, aluminium, pewter and other metals were used.
The name of the machine comes from producing an entire line of metal type at once, hence a line-o'-type. It was a significant improvement over the previous industry standard of letter-by-letter manual typesetting using a composing stick and shallow subdivided trays, called "cases". The Linotype machine operator enters text on a 90-character ...
1917 press room, using a line shaft power system. At right are several small platen jobbing presses, at left, a cylinder press.. With the advent of the Industrial Revolution and industrial mechanisation, inking was carried out by rollers that passed over the face of the type, then moved out of the way onto an ink plate to pick up a fresh film of ink for the next sheet.
The small letters at the base of the matrix are founders marks. Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. [1] Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type.
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