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In 1979, the neo-traditional art music composer and founder of the Pan African Orchestra of Ghana, Nana Danso Abiam (b. 1953) introduced chromaticism and atonality in atenteben music with a new fingering mechanism that he had developed at the Institute of African Studies, University of Ghana, Legon. This playing mechanism employed for the first ...
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
The Magnificat by John Rutter is a musical setting of the biblical canticle Magnificat, completed in 1990.The extended composition in seven movements "for soprano or mezzo-soprano solo, mixed choir, and orchestra (or chamber ensemble)" [1] is based on the Latin text, interspersed with "Of a Rose, a lovely Rose", an anonymous English poem on Marian themes, the beginning of the Sanctus and a ...
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Aria : What passion cannot music raise and quell! Aria (tenor) and Chorus: The trumpet's loud clangour; March; Aria (soprano): The soft complaining flute; Aria (tenor): Sharp violins proclaim their jealous pangs; Aria (soprano): But oh! What art can teach; Aria (soprano): Orpheus could lead the savage race
Islamic prayer is a type of religious music that Muslims use when they pray and worship Allah. These prayers (in Arabic, prayer is Salah) that occur five times a day. These prayers are conducted by facing Mecca while standing, having both knees to the ground, and bowing. During prayer, recitations are usually of the Islamic holy book: the Quran ...
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
Music for Flute & Double-Bass is an album by flautist Jeremy Steig and bassist Eddie Gómez recorded in New York in 1978 and released on the German CMP label. [1] [2] [3]