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Winold Reiss (September 16, 1886 – August 23, 1953) was a German-born American artist and graphic designer. He was born in Karlsruhe, Germany. In 1913 he immigrated to the United States, where he was able to follow his interest in Native Americans. In 1920 he went West for the first time, working for a lengthy period on the Blackfeet ...
Known to friends and family as "Willie," Wilna Hervey was the only child of the marriage of William Russell Hervey and Anna Van Horn Traphagen. [1] She grew up in affluent circumstances at Beach Ninth Street, Far Rockaway.
This recognition led to his attendance at Saint Mary’s Lake Summer Art School in Glacier National Park, Montana, with New York portrait painters Winold Reiss and Carl Linck. Unlike many of the students at St. Mary’s Art School who were from The United States, Tailfeathers was from the Blood Reserve in Southern Alberta.
She attended Columbia University, where she studied with Solon Borglum and Winold Reiss. [1] Her first artistic jobs as a freelancer were creating movie posters, newspaper advertisements, and costume designs for theater productions. [2] She spent several years traveling and living in Europe, Mexico, and Central America. [3]
She was the subject of a pastel drawing by Winold Reiss, which appeared in Survey Graphic. [7] [24] In the last years of her life, she lived on Sugar Hill in West Harlem at The Garrison Apartments, 435 Convent Avenue, Apartment 33. [25] She died at her home there on June 10, 1971, at the age of 86.
In the mid-1920s, Greenwood studied with Winold Reiss, a German-born artist and designer who had contributed to the Harlem Renaissance movement. [6] In 1929, both of the Greenwood sisters participated in the famed Bohemian event, the Maverick Festival (1915–1931) at the Maverick Art Colony in Woodstock, New York.
Winold Reiss, who may have been introduced to the project by Paul Philippe Cret, used his source material more faithfully. That may have been significant in Reiss's selection for the final works. [11] Reiss ended up designing nearly all of the terminal's artwork, including over 18,150 square feet (1,686 m 2) of mosaic murals. [13]
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