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"Cha-La Head-Cha-La" (Japanese: チャラ・ヘッチャラ, Hepburn: Chara Hetchara) is a song by Japanese musician and composer Hironobu Kageyama, released as his sixteenth single. It is best known as the first opening theme song of the Dragon Ball Z anime television series. Columbia released the single on vinyl, cassette and mini CD on May 1 ...
The following year he was selected to sing the opening theme of Dragon Ball Z, "Cha-La Head-Cha-La". [4] Kageyama referred to landing these two themes to anime adaptations of Weekly Shōnen Jump manga back to back as "what altered the direction of my life for good." [4] "Cha-La Head-Cha-La" sold 1.7 million copies. [6]
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
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The trombone can be found in symphony orchestras, concert bands, big bands, marching bands, military bands, brass bands, and brass choirs. In chamber music, it is used in brass quintets, quartets, and trios, and also in trombone groups ranging from trios to choirs. A trombone choir can vary in size from five to twenty or more members.
The swing era of jazz reached its peak in the 1930s, where the trombone was then popular. In a standard swing band there were 5 saxophones, 4 trumpets, 3 or 4 trombones and a rhythm section. This is when trombone started to stand out as a solo instrument, with players such as Jack Teagarden. Characteristic of the Teagarden style of trombone ...
The trombone Moña consists of two parts, a call-and-response structure. The trumpet moña begins on the last note of first half of the trombone moña. The second half of the trombone moña begins on the pulse (subdivision) immediately following the last note of the trumpet moña. 2-3 trumpet and trombone moñas, "Guatacando" (1968). 1.
4 moves the chord progression from the two-side (2–3) to the three-side (3–2). Later, another measure of 2 4 moves the start of the chord progression back to two-side (2–3). According to David Peñalosa: The first 4 + 1 ⁄ 2 claves of the verses are in 2–3. Following the measure of 2 4 (half clave) the song flips to the three-side.