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The sound of a crash cymbal. Although crash cymbals range in thickness from paper-thin to very heavy, all crash cymbals have a fairly thin edge. They are typically 14 to 18 inches (36 to 46 cm) in diameter, but sizes down to 8 inches (20 cm) and up to 24 inches (61 cm) are manufactured. Custom crash cymbals up to 28 inches (71 cm) in diameter ...
To crash, there is a brief prep motion in which the arms move away from each other, before finally dropping the dominant handed cymbal on top of the bottom cymbal. Properly played crashes will be played like a flam where the bottom of the cymbals touch before meeting at the top.
A crash/ride cymbal is a medium weight, slightly tapered cymbal, normally in the 18–22-inch (460–560 mm) range, designed to serve in a drum kit as both a crash and a ride cymbal. A ride/crash cymbal may be thought to be the same thing, but is actually different. Despite being similar in design and function to a crash/ride, it is slightly ...
The size of the cymbal affects its sound, larger cymbals usually being louder and having longer sustain. The weight describes how thick the cymbal is. Cymbal weights are important to the sound they produce and how they play. Heavier cymbals have a louder volume, more cut, and better stick articulation (when using drum sticks).
Traditional splash cymbals, as first popularized by Gene Krupa, are 8"-12" in size and medium in weight with little or no taper and therefore a thick rim for their size. The normal function of a splash cymbal is to provide a short, often highly syncopated accent. For their size, they are hit relatively hard to produce a quick attack and decay.
A percussion section with pitched percussion (tubular bells, background), auxiliary percussion (crash cymbals, suspended cymbal, snare drum and bass drum) and timpani (foreground) in use. The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.