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First, "medieval" denotes a time period (500–1500) far too large and complex to understand in short descriptions. And within it, there was "a vast and varied spectrum of kinds of performances: ludus , jeu, ordo, representatio, officium, pagina, miraculum, mystère, processus, interlude, morality, mumming , disguising, and, of course, play."
The term was widely disseminated by well-known theater historians like Heinrich Alt (Theater und Kirche, 1846), [1] E.K. Chambers (The Mediaeval Stage, 1903) and Karl Young. Young's two-volume monumental work [2] about the medieval church was especially influential. It was published in 1933 and is still read today, even though his theories have ...
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The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
It is the earliest morality play by more than a century, and the only medieval musical drama to survive with an attribution for both text and music. A short version of Ordo Virtutum without music appears at the end of Scivias, Hildegard's most famous account of her visions.
The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep-stealing couple.
The Somonyng of Everyman (The Summoning of Everyman), usually referred to simply as Everyman, is a late 15th-century morality play by an anonymous English author, printed circa 1530.