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A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist.
A bridge-parallel amplifier topology is a hierarchical combination of the bridged and paralleled amplifier topologies, with at least four single-ended channels needed to produce one bridge-parallel channel. The two topologies complement each other in that the bridging allows for higher voltage output and the paralleling provides the current ...
Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround). Mixers offer three main functionalities. [10] [11] Summing signals together, which is normally done by a dedicated summing amplifier or, in the case of a digital mixer, by a simple algorithm.
Mackie CFX12 Live Sound Mixer. An aux-send (auxiliary send) is an electronic signal-routing output used on multi-channel sound mixing consoles used in recording and broadcasting settings and on PA system amplifier-mixers used in music concerts.
[1] [2] The XL3 and XL4 established Midas as a leading live console manufacturer for the next two decades, [3] and the XL series would grow to include the XL200, and XL250, as well as smaller models targeted at the club and regional sound market. A Midas Heritage 3000 mixing console on the right at the Front of House position at an outdoor concert.
A single amplifier can usually power a woofer and a tweeter only through a post-amplifier crossover filter, which protects each driver from signals outside its frequency range. Bi-amping of speakers requires double the channels of amplification and can be accomplished using two ordinary amplifiers in either a vertical or horizontal arrangement.