Search results
Results From The WOW.Com Content Network
Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.
Ikebana (生け花, 活け花, ' arranging flowers ' or ' making flowers alive ') is the Japanese art of flower arrangement. [ 1 ] [ 2 ] It is also known as kadō ( 華道 , ' way of flowers ' ) . The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro ...
Hanakotoba, also known as 花言葉 – Japanese form of the language of flowers; List of national flowers – flowers that represent specific geographic areas; Plants in culture – uses of plants by humans; Narcissus in culture – uses of narcissus flowers by humans
In Japanese society, particularly in historical feudal Japan, isagiyosa (潔さ, "purity") is a virtue, translated with "resolute composure" or "manliness". [1] Able to be interpreted as "grace with pride", [ 2 ] isagiyosa is the capability of accepting death with composure and equanimity.
The Chrysanthemum and the Sword: Patterns of Japanese Culture is a 1946 study of Japan by American anthropologist Ruth Benedict compiled from her analyses of Japanese culture during World War II for the U.S. Office of War Information. Her analyses were requested in order to understand and predict the behavior of the Japanese during the war by ...
Although its original meaning is somewhat obscure, one of the Japanese words for garden— niwa —came to mean a place that had been cleansed and purified in anticipation of the arrival of kami, and the Shinto reverence for great rocks, lakes, ancient trees, and other "dignitaries of nature" would exert an enduring influence on Japanese garden ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
By the Heian period, the flower was cultivated throughout Japan. It represented the noble class and the season of autumn, and the Japanese even had a Chrysanthemum festival. When the flower was adopted for the Imperial Seal of Japan some families also cultivated it to signal their support and good relationship with the Imperial family. [1]