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Christopher Bill (born June 9, 1992) is an American trombonist, composer, arranger, music director, and YouTuber.He presents classically arranged popular songs multi-tracked on trombone, both live and in music videos found on his YouTube channel, ClassicalTrombone, which he introduced in 2011.
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras. [1] [2]
The trombone (German: Posaune, Italian, French: trombone) is a musical instrument in the brass family.As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate.
This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
David Rose (standing on the right) in AFRS Radio Show, c. 1946 "The Stripper" is an instrumental composed by David Rose, recorded in 1958 and released four years later.It evinces a jazz influence with especially prominent trombone slides, and evokes the feel of music used to accompany striptease artists.
He began on trombone at age nine, and played in the Midland Youth Jazz Orchestra and the National Youth Jazz Orchestra in his teens. [1] He attended Trinity College of Music from 1985 to 1988. His first band as leader was a trombone quintet called Bonestructure and he has gone on to front various sized groups from quartets and quintets to a Big ...
He played trombone on The Wiz and, with the Seawind Horns including Jerry Hey, on Michael Jackson's albums Off the Wall and Thriller. He also acted as a composer for Cartoon All-Stars to the Rescue. Bill Reichenbach is a Greenhoe Trombones Performing Artist, [5] performing on a GC5-2R-TIS Bass Trombone with Tuning-in-Slide. [6]
Johnson's work in the 1940s and 1950s demonstrated that the slide trombone could be played in the bebop style; as trombonist Steve Turre has summarized, "J. J. did for the trombone what Charlie Parker did for the saxophone. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did.