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The reception of Der Freischütz surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year followed by Dresden, Leipzig, Hamburg, Munich, Karlsruhe, Königsberg, Prague, other German centres, Riga and Copenhagen. 1824 saw productions in four London theatres in four different adaptations, as well as an inadequate [8] adaptation by ...
Weber's fame from Der Freischütz led to another important commission, this time from the Royal Opera House, London. [20] For this he composed his final opera and only one in English, Oberon, to a libretto by James Planché, based on Christoph Martin Wieland's epic poem of the same name. [21] The work received much acclaim.
Freischütz is a German compound word, consisting of frei (' free ') and Schütz (' shooter ' or ' rifleman '). There are several theories that try to explain why the word frei is used. One is that it has a military origin, perhaps from terms like Freikorps (independent ' free- corps ' regiments), or the French franc-archer ( ' free-archer ' ).
Johann Friedrich Kind (4 March 1768, in Leipzig – 24 June 1843 in Dresden) was a German dramatist, most famous for writing the libretto for Carl Maria von Weber's opera Der Freischütz (1821). Biography
Title page illustration from volume one, depicting "Der Freischütz "The Gespensterbuch (literally 'Ghost Book' or 'Book of Spectres' [1]) is a collection of German ghost stories written by August Apel and Friedrich Laun and published in seven volumes between 1810 and 1817.
The Phantom of the Opera (French: Le Fantôme de l'Opéra, pronounced [lə fɑ̃tom də lɔpeʁa]) is a novel by French author Gaston Leroux.It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte. [1]
An exit to the West Front of the U.S. Capitol building is pictured on the day it was announced U.S. President-elect Donald Trump's inauguration is being moved indoors due to dangerously cold ...
Song cycle, "Die Temperamente beim Verluste der Geliebten," Op. 46 [1816] 204 Grand duo concertant in E flat major, Op. 48 (Clarinet, Piano) [1815-16] 205 Songs, "Bei der Musik des Prinzen Louis Ferdinand von Preussen," Op. 43 [1816] 206 Piano Sonata No. 3 in D minor, Op. 49 [1816] 207 Divertimento assai facile (gui, Piano) [1816] 208