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After all, the acceptance of the loss of pleasure by the end of the poem is an acceptance of life and, in turn, of death. Death was a constant theme that permeated aspects of Keats poetry because he was exposed to death of his family members throughout his life. [29] Within the poem, there are many images of death.
In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2] Hedli Anderson, an English singer, was a lead performer in The Ascent of F6. [2] Auden decided to re-write several poems for Anderson to perform as cabaret songs, including "Funeral Blues", and was working on them as early as 1937. [3]
The swan song (Ancient Greek: κύκνειον ᾆσμα; Latin: carmen cygni) is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that swans sing a beautiful song just before their death while they have been silent (or alternatively not so musical ...
"The Anacreontic Song", also known by its incipit "To Anacreon in Heaven", was the official song of the Anacreontic Society, an 18th-century gentlemen's club of amateur musicians in London. Composed by John Stafford Smith , the tune was later used by several writers as a setting for their patriotic lyrics.
"O Death Rock Me Asleep" is a Tudor-era poem, traditionally attributed to Anne Boleyn. It was written shortly before her execution in 1536. It was written shortly before her execution in 1536. Anne Boleyn in the Tower of London ( Édouard Cibot , 1835)
The whole of Don McLean's song "American Pie" is an "ubi sunt" for the rock and roll era. [citation needed] J. R. R. Tolkien begins Aragorn's poem Lament for the Rohirrim (in The Two Towers) with the phrase taken from the Anglo-Saxon Wanderer and continues with a series of Ubi sunt motifs. [23] Tolkien's "Oilima Markirya" poem exhibits a ...
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Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...