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Saint Peter is conventionally shown as having been crucified upside-down. Modern versions of the tarot deck depict a man hanging upside-down by one foot. The figure is most often suspended from a wooden beam (as in a cross or gallows) or a tree. Ambiguity results from the fact that the card itself may be viewed inverted.
The High Priestess (II) is the second Major Arcana card in cartomantic Tarot decks. It is based on the 2nd trump of Tarot card packs . In the first Tarot pack with inscriptions, the 18th-century woodcut Tarot de Marseilles , this figure is crowned with the Papal tiara and labelled La Papesse , the Popess , a possible reference to the legend of ...
If you pull the High Priestess tarot card in a reading, here's what it means, including the upright and reversed interpretations as well as some keywords.
He is an exoteric figure, in contrast to the esoteric symbolism of The High Priestess. [2] Reversed, the Hierophant can be interpreted as standing for unorthodoxy, originality, and gullibility. [7] According to A.E. Waite's 1910 book Pictorial Key to the Tarot, the Hierophant card carries several divinatory associations: 5.
N/a (or stating "irrelevant") is used when a question is not applicable to the current situation or when a "yes" or "no" answer would not provide any usable information to solving the puzzle. Irrelevant, but assume yes (or no ) is used when the situation is the same regardless of what the correct answer to the question is, but assuming one ...
According to Waite's 1910 book The Pictorial Key to the Tarot, The Empress is the inferior (as opposed to nature's superior) Garden of Eden, the "Earthly Paradise".Waite defines her as a Refugium Peccatorum — a fruitful mother of thousands: "she is above all things universal fecundity and the outer sense of the Word, the repository of all things nurturing and sustaining, and of feeding others."
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In The World Upside Down in 16th-Century French Literature and Visual Culture, [3] Vincent Robert-Nícoud introduces the mundus inversus by writing (p. 1): . To call something ‘inverted’ or ‘topsy-turvy’ in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things.