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Dunsany in 1919. The catalogue of Edward Plunkett, 18th Baron of Dunsany (Lord Dunsany)'s work during his 53-year active writing career is quite extensive, and is fraught with pitfalls for two reasons: first, many of Dunsany's original books of collected short stories were later followed by reprint collections, some of which were unauthorised and included only previously published stories; and ...
Of Gods and Men (French: Des hommes et des dieux) is a 2010 French drama film directed by Xavier Beauvois, starring Lambert Wilson and Michael Lonsdale.Its original French language title is Des hommes et des dieux, which means "Of Men and of Gods" and refers to a verse from the Bible shown at the beginning of the film.
Time and the Gods is an omnibus collection of fantasy stories by Anglo-Irish writer Lord Dunsany. It was first published by Orion Books in 2000 as the second volume of their Fantasy Masterworks series.
The World's Sixteen Crucified Saviors; Or, Christianity Before Christ, Containing New, Startling, and Extraordinary Revelations in Religious History, which Disclose the Oriental Origin of All the Doctrines, Principles, Precepts, and Miracles of the Christian New Testament, and Furnishing a Key for Unlocking Many of Its Sacred Mysteries, Besides Comprising the History of 16 Heathen Crucified ...
Of Gods and Men may refer to: Of Gods and Men, a 2010 French drama film; Star Trek: Of Gods and Men, a three-part unofficial Star Trek fan mini-series
The Universe, the Gods, and Men (French: L'univers, les dieux, les hommes) is a 1999 book by the French writer Jean-Pierre Vernant.It consists of retellings of stories from Greek mythology, inspired by how Vernant had told them to his grandson years previously.
Time and the Gods is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It is a collection of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegāna.
(p. 457) "And, of course," she added, "there is a great conceit hidden at the heart of the book to do with fiction and the imagination, which is revealed only at the end but which is in a way the whole raison d'etre of the novel."(p. 458) Stephanie Merritt commented in The Guardian review, "At first glance A God in Ruins appears to be a more ...