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The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues for Alice".
Drop G in C standard variation – G-F-A#-D#-g-C: Used by Bring Me the Horizon on a few songs from their album Suicide Season, "Blacklist" from There Is A Hell and "heavy metal" from amo, [58] Wage War also utilize this tuning on several songs on their first three albums, such as "The River" and "Spineless" off their album Blueprints.
In 1990, Frawley formed Big City Burnout [4] with Jack Abeyratne on guitar, Nigel Hartford on bass guitar (ex-White Cross), David Sandford on saxophone, piano and vocals, and Paul Wall on drums. [2] By 1993 he formed Maurice Frawley and Working Class Ringos, a rootsy country-blues band.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Burn Out" is a song recorded by American country music band Midland. It is the third single from their 2017 debut album On the Rocks.The band's three members, Mark Wystrach, Cameron Duddy, and Jess Carson, co-wrote the song with Shane McAnally and Josh Osborne, the latter two of whom co-produced it with Dann Huff.
"Blue" is a song released in 1958 by Bill Mack, an American songwriter-country artist and country radio disc jockey. It has since been covered by several artists, in particular by country singer LeAnn Rimes , whose 1996 version became a hit.
"Blue Monday" is a song written by Dave Bartholomew, [1] first recorded in 1953 by Smiley Lewis and issued as a single, in January 1954, on Imperial Records (catalog # 5268). [ 2 ] [ 3 ] The single, with a slow-rocking beat, features an instrumental electric guitar solo by Lewis.
The song has been recorded by among others: In 1944, Cindy Walker had a #5 on the Best Selling Retail Folk Records chart with the song. [3] In 1948, Cliffie Stone hit #11 on the Best Selling Retail Folk Records chart with the song. [4] In 1956, Elvis Presley included it on his album Elvis. Sammi Smith; The Statler Brothers; Hank Thompson ...