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Experimental aesthetics is the second oldest research area in psychology, psychophysics being the only field which is older. [1] In his central work Introduction to Aesthetics (Vorschule der Ästhetik) Fechner describes his empirical approach extensively and in detail. Experimental aesthetics is characterized by a subject-based, inductive approach.
Although IAEA has been active for half a century, the domain of experimental aesthetics is much older. It is the second-oldest branch of scientific psychology, traditionally dating from 1876, the year Gustav Theodor Fechner (1801-1887) published his Vorschule der Aesthetik (Preschool of Aesthetics). Fechner, who also is credited with founding ...
Experimental aesthetics Clementina " Kit " Caroline Anstruther-Thomson (15 December 1857 – 7 July 1921) was a Scottish author and art theorist . She was known for writing and lecturing on experimental aesthetics during the Victorian era .
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Edward Bullough (28 March 1880 – 17 September 1934) was an English aesthetician and scholar of modern languages, who worked at the University of Cambridge.He did experimental work on the perception of colours, and in his theoretical work introduced the concept of psychical distance: that which "appears to lie between our own self and its affections" in aesthetic experience.
Gustav Theodor Fechner (/ ˈ f ɛ x n ər /; German:; 19 April 1801 – 18 November 1887) [1] was a German physicist, philosopher, and experimental psychologist.A pioneer in experimental psychology and founder of psychophysics (techniques for measuring the mind), he inspired many 20th-century scientists and philosophers.
The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment. It is subdivided in two main parts - the Analytic of the Beautiful and the Analytic of the Sublime , but also deals with the experience of fine art.
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.