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Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in volume.
16 velocity-sensitive pads: these are modeled after the traditional MPC-style pads and by default are set up to trigger different MIDI notes that would correspond to different samples loaded inside the user's sequencer software. The pads also support channel aftertouch, where if a pad is held down after the initial strike, the player can adjust ...
The Keystep is a MIDI and CV/gate controller with 32 mini keys. [7] [8] The keyboard is velocity sensitive and has channel aftertouch.[5] [9] Pitch bend and modulation strips are present instead of wheels, and buttons allow the keyboard to be transposed four octaves bidirectionally. [10]
The keyboard is sensitive to velocity and has channel aftertouch. This keyboard was aimed at producers of dance and trance music and was also popular for live performances during the late 1990s. The synth has nine MIDI control knobs and a two-line LCD display.
MIDI Notes References Velocity Aftertouch; Casiotone 101 1981 49 full 25 8 - Voices only (no rhythm section). Sustain and vibrato effects only. Four tones of choice can be stored for press-button access. [1] Casiotone 201 1980 49 full 29 8 - Vibrato, sustain effects and tape echo to/from input/output. [2] [3] Casiotone 202 1981 49 full 49 8 -
The M1 features a 61-note velocity- and aftertouch-sensitive keyboard, 16-note polyphony, a joystick for pitch-bend and modulation control, an eight-track MIDI sequencer, separate LFOs for vibrato and filter modulation, and ADSR envelopes. Data can be stored on RAM and PCM cards.
The design on the JX-10 is essentially two Roland JX-8P synthesizers put together, with a 76-note velocity-sensitive keyboard with aftertouch. It also includes features not found on the JX-8P, including a simple 1-track sketchbook sequencer and a delay effect (which works like a "MIDI delay" by delaying one tone rather than acting as a true DSP ...
The back panel includes 1/4" output jacks for Left/Mono, Right, a stereo headphone jack, and a separate output for the bass. There's also a jack for the pedals, a small tuning knob (labeled "A440"), and the usual MIDI In/Out/Thru. [2]: 4 The SDP-1 came with a two-pedal pedalboard that could be placed on the floor beneath the keyboard.