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Cesare Ripa (c. 1555, Perugia – () January 22, 1622 Rome) was an Italian iconographer who worked for Cardinal Anton Maria Salviati as a cook and butler. Life [ edit ]
Original – Self-Portrait as the Allegory of Painting. Artemisia Gentileschi, 1638-39. 96.5 by 73.7 centimetres (38.0 in × 29.0 in) Reason We don't have nearly enough works by women artists. Here's a particularly interesting one, in which Artemisia Gentileschi depicted herself as the “Allegory of Painting” illustrated by Cesare Ripa.
The allegory of Italy is also present in the scrolls of numerous ancient maps. [14] On maps she appeared for the first time in 1595 on a map contained in the Parergon, a geographical work by Giacomo Gastaldi ; then on a work by Willem Blaeu published in 1635, with the wall crown surmounted by a luminous six-pointed star.
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
The Allegory of Good and Bad Government; Allegory of Happiness; Allegory of Hercules; Allegory of Isabella d'Este's Coronation; Allegory of Justice; The Allegory of Love (Veronese) Allegory of Music; Allegory of Painting and Sculpture; Allegory of Prudence; Allegory of the Battle of Lepanto; Allegory of the Element Earth; An Allegory of Truth ...
Art historian Martin S. Soria titles the painting Spain, Time, and History and claims that the painting was likely created around 1797. He asserts the strong influence of Cesare Ripa's Iconologia (first published in 1596) on Goya's depiction of Time and History as classic allegorical figures. In Soria's interpretation, History fulfills a ...
File:Noua iconologia di Cesare Ripa perugino, caualier de SS. Mauritio and Lazzaro. Nella quale si descriuono diuerse imagini di virtù, vitij, affetti, passioni ...
Apollo and Aurora, 1671, ceiling painting for Herengracht, n° 539, Metropolitan Museum of Art Gerard de Lairesse, Allegory of sciences, Rijksmuseum. De Lairesse was born in Liège and was the second son of painter Renier de Lairesse (1597–1667). He studied art under his father and from 1655 under Bertholet Flemalle. [8]