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Simply put: Love songs have stood the test of time through so many decades. Seriously, the ’60s and ’70s were all about soul and funk, while the ’80s ushered in pop and rock.
Simply put: Love songs have stood the test of time through so many decades. Seriously, the ’60s and ’70s were all about soul and funk, while the ’80s ushered in pop and rock.
The music and lyrics, as well as the singing, belong to Shelley. [11] The song uses the verse-chorus formal pattern and is in the key of E major. Both the verse and the chorus start with C♯ minor chords (sixth degree in E major, and relative minor key of E major), which "give [the song] a distinctly downbeat, edgy feel."
The song is characterized by a signature pattern played on a ukulele, [4] that follows a basic E 5 – B – C#m – A (I 5 – V – vi – IV) progression in the verse, tag and bridge, switching to an A – B – E 5 – B (IV – V – I 5 – V) progression in the chorus. The song's chord structure is arranged in an A B A B A B A form.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
On September 24, 1971, Dylan re-recorded three Basement Tapes-era songs for inclusion on this compilation—"You Ain't Goin' Nowhere", "I Shall Be Released", and "Down in the Flood"—with Happy Traum playing bass, banjo, and electric guitar, as well as providing a vocal harmony. [15]
Dylan's manager Albert Grossman also managed Peter, Paul and Mary and started offering Dylan's songs to other artists to record. [6] "Don't Think Twice, It's Alright" was one of three Dylan songs Peter, Paul and Mary picked up that way for their third album In the Wind, "Blowin' in the Wind" and "Quit Your Lowdown Ways" being the others. [6]
Drummer Maurice White (better known as a singer for Earth, Wind & Fire) also played on the recording. [6] [7] Motown's Mike Terry played the baritone saxophone. [8] The song was originally written by Chess Records' in-house writers and producers Carl Smith and Raynard Miner, and initially recorded by The Dells for the label, but not released.