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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Gospel music is what it is today thanks to the countless Black artists who hand-crafted the genre. Mahalia Jackson. Mahalia Jackson is one of the matriarchs of gospel music. Born in poverty in New ...
In the Old Testament, the balm of Gilead is a healing compound, symbolizing spiritual medicine for Israel and sinners. The 1973 edition of the Primitive Baptist songbook Harp of Ages features "Balm in Gilead" with verses from a Charles Wesley hymn. The second verse of the spiritual also appears in versions of another spiritual, "(Walk That ...
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
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In Canada the song reached #2. [11] It was the first gospel song to hit #1 on a U.S. pop singles chart; The Staple Singers' "I'll Take You There" hit #1 on the Billboard Hot 100 in 1970, "Put Your Hand in the Hand (of the Man)" by Ocean peaked at #2 in 1971; and "Oh Happy Day" by the Edwin Hawkins Singers reached #3 in 1969.
[33] [34] The song was the only one released from the We Are the World album and became a chart success around the world. In the U.S., it was a number-one hit on the R&B singles chart , the Hot Adult Contemporary Tracks chart, and the Billboard Hot 100 , where it remained for a month.
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...