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Shakespeare uses variations on the word "honest" 51 times through the play. The word is used both as a noun and adjectivally, 26 times describing Iago. [1] [note 1] Its first outing is at the close of Act I, when Othello places Desdemona under the ensign's care, saying "Honest Iago, / My Desdemona I leave to thee". [2]
Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio.
Iago's original voice actor Gilbert Gottfried. In the original story treatment by Howard Ashman, Iago (previously named Sinbad) had been originally conceived as a "British" calm and serious straight man working off Jafar, who was originally conceived as more over-the-top, comedic, and irritable, but the filmmakers later reversed their personalities in large part in order to make Jafar more ...
The morality and sympathy of the malcontent is highly variable, as in the examples above. Sometimes, as in Hamlet and The Malcontent, they are the sympathetic centre of the play, whereas Iago is a very unsympathetic character. The most important thing about the malcontent is that the character is malcontent—unhappy, unsettled, displeased with ...
I, Iago by Nicole Galland depicts Iago, as the protagonist and explores his potential motivations and history. The plot of the Portuguese language novel Dom Casmurro by the Brazilian author Machado de Assis, a translator of Othello into Portuguese, is based upon the play. It is generally considered one of the great novels of Brazilian literature.
Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago's plot against Othello in the hopeless belief that Iago will aid him in courting Othello's wife Desdemona. In the later acts, Iago recruits Roderigo to assassinate Othello's former lieutenant Michael Cassio, though he is killed by Iago when he fails in his attempt to ...
Iago twice uses the word "Barbary" or "Barbarian" to refer to Othello, seemingly referring to the Barbary coast inhabited by the "tawny" Moors. Roderigo calls Othello "the thicklips", which seems to refer to European conceptions of Sub-Saharan African physiognomy, but Honigmann counters that, as these comments are all intended as insults by the ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...