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Meghadūta (Sanskrit: मेघदूत literally Cloud Messenger) [1] is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a yakṣa (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to ...
Haravijaya is the longest extant Sanskrit mahākāvya, containing a total of 4351 verses in fifty sargas (cantos). [5] The poem narrates Śiva's victory over the Andhaka. In accordance with mahākāvya convention, the poem explores many aspects of life, including nature, seasons, love, and a battle. It also describes Śiva's iconographic ...
Ṛtusaṃhāra, often written Ritusamhara, [1] [2] (Devanagari: ऋतुसंहार; ऋतु ṛtu, "season"; संहार saṃhāra, "compilation") is a medium length Sanskrit poem. [3] While the poem is often attributed to Kalidasa, modern scholars disagree with this traditional
There are numerous anthologies which collect short Sanskrit poetry from different authors, these works are our main source of short Sanskrit poems. [159] One widely celebrated anthology is the Subhāṣitaratnakoṣa (Anthology of Well Said Jewels) of the Buddhist monk and anthologist Vidyakara (c. 1050–1130).
The Shishupala Vadha (Sanskrit: शिशुपालवध, IAST: Śiśupāla-vadha, lit. "the slaying of Shishupala") is a work of classical Sanskrit poetry composed by Māgha in the 7th or 8th century.
Relief depicting a portable Garuda pillar, one of the oldest images of Garuda, Bharhut, 100 BCE. [2]The Suparṇākhyāna, also known as the Suparṇādhyāya (meaning "Chapter of the Bird"), is a short epic poem or cycle of ballads in Sanskrit about the divine bird Garuda, believed to date from the late Vedic period.
That “ Bhaṭṭi ’s Poem” canto 10 is a major work on Sanskrit poetics is amply demonstrated by Söhnen [8] in her examination of ‘doubling’ yamaka of 10.2–22 showing that the treatment of this figure in Daṇḍin ’s “Mirror of Poetry” and Bhāmaha’s “Ornament of Poetry” is influenced by the Bhaṭṭikāvya.
It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. [1] [2] The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. [3]