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Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
Born in Italy, Elizabeth Lavenza was adopted by Victor's family.In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been).
The sequels to The Curse of Frankenstein would feature Victor Frankenstein creating various different Frankenstein monsters, none of which would be played by Christopher Lee: The film The Revenge of Frankenstein has Victor Frankenstein placing the brain of a hunchback named Karl (portrayed by Oscar Quitak ) into a makeshift body (portrayed by ...
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus.He is a Swiss scientist (born in Naples, Italy) who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature (often referred to as ...
Presumption; or, the Fate of Frankenstein is an 1823 play in three acts by Richard Brinsley Peake loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It is the first recorded theatrical adaptation of the novel [ 1 ] [ 2 ] [ 3 ] and had 37 performances during its original run.
Josef Blösche (12 February 1912 – 29 July 1969) was a German war criminal and a member of the Nazi Party who served in the SS and SD during World War II.Blösche personally executed many Jews, participating in several massacres, [1] and helped send many more to their deaths in extermination camps.
Before Frankenstein came to the university, he had lost his interest in science, believing that nothing could be known about the world and disappointed by the inability of science to match the goals of the alchemists he once studied. [2] At the conclusion of the lecture, Waldman makes a statement that has a great impact on Frankenstein.
Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...