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Srikanth is a 2024 Indian Hindi-language biographical film on the life of srikanth, a visually-impaired industrialist and the founder of Bollant Industries. Starring Rajkummar Rao in the title role, it is directed by Tushar Hiranandani and co-stars Jyothika , Alaya F and Sharad Kelkar .
Jaya Prada Nahata (born Lalitha Rani Rao; 3 April 1962) is an Indian actress and politician known for her works majorly in Telugu cinema and Hindi cinema as well as in Tamil films in late '70s, '80s and early '90s. [8]
Majaal (transl. Audacity) is a 1987 Indian Hindi-language drama film, produced by Srikanth Nahata under the Vijayalakshmi Pictures banner and directed by K. Bapaiah.The film stars Jeetendra, Sridevi, Jaya Prada and music composed by Bappi Lahiri.
Radha Gopalam (Telugu: రాధా గోపాలం) is a 2005 Telugu-language film directed by Bapu and written by Ramana.It stars Srikanth and Sneha in lead roles. The music was composed by Mani Sharma and lyrics were penned by Veturi, Jonnavittula, Mullapudi Venkata Ramana.
Srikanth Nahata Kannada Kannada remake of Vaa Arugil Vaa, Killing scenes of doll used from Tamil original 1998 Dharma: Keyaar: Tamil Tamil remake of Ziddi, Climax involving bomb explosions used from Hindi original 2003 Villain: K. S. Ravikumar: Telugu Telugu remake of Villain, Flashback of twins dubbed from original 2003 Annavru: Om Prakash Rao ...
Haisiyat (transl. Status) is a 1984 Hindi-language drama film, produced by Srikanth Nahata under the Vijayalakshmi Pictures banner and directed by Dasari Narayana Rao. It stars Jeetendra, Jaya Prada in the pivotal roles and music composed by Bappi Lahari. The film is remake of Tamil movie Kanavan Manaivi (1976). [1]
But Rachana later marries Srikanth. When Srikanth learns that his wife has actually loves Upendra, he arranges a marriage for both of them. The movie has a good blend of comedy scenes with Brahmanandam, situational background score and a nice story line. The movie has depicted the lover-boy role of Upendra, despite his eccentric image.
Srikanth has delivered his role very comfortably and carries the movie elegantly proving to find his hand over all type of roles and now rolling to reels". [10] Malathi Rangarajan of The Hindu wrote: "Manasellam has the ingredients of an entertaining fare — but the worn-out storyline and trying sequences are stumbling blocks". [ 11 ]