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Another niche used of a printed sans-serif letterform from 1786 onwards was a rounded sans-serif script typeface developed by Valentin Haüy for the use of the blind to read with their fingers. [ 38 ] [ 39 ] [ 40 ]
This list of sans-serif typefaces details standard sans-serif fonts used in classical typesetting and printing. List of samples. Samples of sans-serif typefaces
A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German , grotesk ) or "Gothic" [ 1 ] (although this often refers to blackletter type as well) and serif typefaces as ...
Roman types are in the most widespread use today, and are sub-classified as serif, sans serif, ornamental, and script types. Historically, the first European fonts were blackletter, followed by Roman serif, then sans serif and then the other types.
However, Courier and Courier New are serif fonts, and sans-serif monospaced fonts are typically used for coding. That leaves Menlo and Consolas as the only sans-serif coding fonts. However, since Menlo and Consolas aren't included in both Windows and macOS at the same time, consider using Menlo and Consolas in a font stack.
Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions. In 2005, Robin Nicholas said, "It was designed as a generic sans serif; almost a bland sans serif." [7] [8]
Microsoft Sans Serif is a sans-serif typeface introduced with early Microsoft Windows versions. It is the successor of MS Sans Serif, formerly Helv, a proportional bitmap font introduced in Windows 1.0. Both typefaces are very similar in design to Arial and Helvetica. The typeface was designed to match the MS Sans bitmap included in the early ...
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.