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Curb (center) with members of the Mike Curb Congregation and Davy Jones on a television special in 1972. Curb had a Top 40 pop song in early 1971. Its title was the same as that of his album, Burning Bridges, [25] which was written and composed by Lalo Schifrin and Mike Curb.
In 1970, Mike Curb got the whole Clinger family to be on The Mike Curb Congregation, a group of entertainers managed by Curb that performed for television variety specials. [45] The Clingers opened for New Coconut Grove and Anthony Newley at the Ambassador Hotel in Los Angeles and for Newley at Caesar's Palace in Las Vegas in 1970.
Kathy Coleman toured as a singer with the Mike Curb Congregation. [2] In 1974, she was cast by Sid and Marty Kroft to play Holly Marshall, the younger of two siblings trapped with their father in a strange land in Land of the Lost. It was her only major television role, which continued for three seasons.
Curb Records recording artist Wynonna Judd, right, with Mike Curb, poses by her brand-new star during the Music City Walk of Fame Induction ceremony at the Country Music Hall of Fame April 22, 2007.
The Mike Curb Congregation's recording of "Burning Bridges" reached #34 on the Billboard Hot 100 singles chart on March 6, 1971; but it did much better in South Africa, where it was the #1 song on the charts for five weeks ending in November 1970, and in New Zealand, where it spent two weeks at #1 in March 1971.
In March 2011, Curb Records released a brand new Slocum worship song and video called "Just Another Mountain," ( top ten hit 6-12-11) with plans for a tour. [3] In 2016, Jamie Slocum had a CD titled Safe released on April 1, 2016 on Curb records. The music was Slocum's first release in four years it was also produced and arranged by Jamie.
"He said, ‘Ronald Reagan and Mike Curb tried to write a song,’" Greenwood told Fox News Digital. "And he sent it to me, and he said, ‘It really isn’t – it was never completed.’
Dennis Quaid's biopic "Reagan" also features work that the former president penned with Mike Curb, reinterpreted by Lee Greenwood.