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Download as PDF; Printable version; ... C minor is a minor scale based on C, ... The C harmonic minor and melodic minor scales are:
C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭ . It is the second semitone in the French solfège and is known there as do dièse .
The scale may be thought of as a major scale with an augmented fourth and fifth, or as the relative to the melodic minor ascending scale (C Lydian augmented and A melodic minor ascending share the same notes).
C or Do is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz.
A melodic tone can often be harmonized in a variety of different ways. For example, an E might be harmonized with an E major chord (E – G ♯ – B). In this case, the melodic tone is acting as the root of the chord. That same E might be harmonized with a C major chord (C – E – G), making it the third of the chord.
An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A ♭ melodic minor ascending. In each case, the scale contains the chord tones G–B–D ♭ –F and is said to be compatible with it.
The concept may be extended to the construction of non-diatonic modes from the pitches of more than one diatonic mode such as distance models including 1:3, the alternation of semitones and minor thirds, for example C–E ♭ –E–G–A ♭ –B–C which includes both the tonic and dominant as well as "'two of the most typical degrees from ...
For example, Seitenwechsel ("die Seiten wechseln" translates as "to exchange sides") mapped a triad on to its parallel minor or major, transforming C major to C minor and conversely. [7] Riemann's theory of transformations formed the basis for Neo-Riemannian theory , which expanded the idea of transformations beyond the basic tonal triads that ...