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As a musical gift, aguinaldos are mostly played by "parranderos" or "trullas" during the Christmas holidays. While parrandas, showing up at a residence late at night, with a group of Christmas carolers, is a practice that is slowly being lost in Puerto Rico, [1] a Puerto Rican aguinaldos album debuted in the top 10 Billboard Tropical Albums in ...
A parranda (English: party or spree [1]) is a Puerto Rican music tradition that takes place in Puerto Rico during the Christmas holiday season. [2] Parrandas are social events that feature traditional Puerto Rican music, food, and drinks.
Navidad Boricua: Mi Pueblo esta de Fiesta is one of the compilations made by Puerto Rican artists with songs that reflect the Christmas tradition of Puerto Rico.In this album are various singers of Puerto Rico as Joseph Fonseca, Michael Stuart, Grupo Kaos, Plenéalo, Daniela Droz, Andy Montañez, Los Sabrosos del Merengue, Junny Ramos, Salsa Kids, Mary Ann Acevedo, among others. [1]
He remembered celebrating Christmas Eve with his brothers, eating traditional Puerto Rican foods, drinking rum, and going caroling. "It was expressing the joy that I felt on Christmas and the fact that I felt very lonely", he told NPR in December 2020. "I missed my family, I missed Christmas carols with them. I missed the whole Christmas scene ...
Carattini (birth name:Ernesto Vicente Carattini) was born and raised in the town of Cidra, Puerto Rico where he received his primary and secondary education. His father realized that the young Carattini was fascinated with Puerto Rican folk music and presented him with a Puerto Rican cuatro. A cuatro is a Puerto Rican stringed instrument ...
Puerto Rico is primarily Catholic, so of course, Christmas is a focus of the holiday season, but the island also observes Three Kings Day, or Epiphany, on Jan. 6, and the weeklong San Sebastian ...
José Montserrate Feliciano Garcia was born on September 10, 1945, in Lares, Puerto Rico, the fourth child of eleven sons. He was born blind as a result of congenital glaucoma. [2] [3] He was first exposed to music at the age of three, playing on a cracker tin can while accompanying his uncle who played the cuatro. [4]
The music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly documented. Certainly, it included Spanish troubadour, church music, military band music, and diverse genres of dance music cultivated by the jíbaros and enslaved Africans and their descendants.