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When Sõrmus was 6 years old, his father gave him his first violin. Sõrmus's first music teacher was a local tailor named Gustav Puks. Sõrmus went to Hugo Treffner Gymnasium in Tartu from 1888. In gymnasium, he continued playing violin with Johann Kelder, who was a medical student in the University of Tartu.
The origin of the violin family is obscure. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
"N. Lupot instruments especially those made in his mature period in Paris, are simply superb" – Gennady Filimonov "...the king of French artists, Nicolas Lupot." – The Violin – Its Famous Makers and Their Imitators by George Hart, 1909 "Lupot is known to have set the bar in workmanship and tone for the French in the 19th century."
This violin, now at the Metropolitan Museum of Art, may have been part of a set made for the marriage of Philip II of Spain to Elisabeth of Valois in 1559, which would make it one of the earliest known violins in existence. Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy.
The violin was first known in 16th-century Italy, with some further modifications occurring in the 18th and 19th centuries to give the instrument a more powerful sound and projection. In Europe, it served as the basis for the development of other stringed instruments used in Western classical music, such as the viola. [1] [2] [3]
Named after its first known owner. Boissier-Sarasate: 1690 Real Conservatorio Superior de Música de Madrid Named after its owner, this violin is one of two Stradivarius instruments which previously belonged to Navarrese musician Pablo de Sarasate. [33] Ex-Ries: 1691 Reinhold Würth Music Foundation On loan to József Lendvay Jr. since 2008 ...
Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Salvini, who in turn gave it to the Polish composer and virtuoso violinist Karol Lipiński upon hearing him perform: the instrument is thus known as the Lipinski Stradivarius. Tartini also owned and played the Antonio ...
Ernst Heinrich Roth (1877–1948), also often referred to as Ernst Heinrich Roth I to distinguish him from later family members of the same name, was a German luthier and master of a large and successful violin-making workshop in the East German town of Markneukirchen, near the current border with the Czech Republic.