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Gabriel Fauré: Mélodies is a 54-minute studio album of eighteen of Fauré's art songs performed by the mezzo-soprano Frederica von Stade with piano accompaniment by Jean-Philippe Collard. [1] It was released in 1983.
The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). Cesare Olivieri, Il trionfo della pace [1] between 1772 and 1775 178: 417e "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano ...
Mezzo-soprano range: The mezzo-soprano is the middle-range voice type for females. [6] The mezzo-soprano voice lies between the soprano voice and contralto voice, over-lapping both of them. The typical range of this voice is between A3 (the A below middle C) to A5 (two octaves higher).
Art song – Musical setting of a poem or text usually written for one voice with piano accompaniment. Lied – German art song. Mélodie – French art song. Song cycle – Group of songs designed to be performed in a sequence as a single entity. Aubade – Song or instrumental composition concerning morning love or lovers separating at dawn.
A mezzo-soprano (Italian: [ˌmɛddzosoˈpraːno], lit. ' half soprano '), or mezzo (English: / ˈ m ɛ t s oʊ / MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e.
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano
D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist's von Blut so rot'] for voice and piano, Edward (1827; 2nd version in addition to 3rd version for male voice, female voice and piano) Op. 106 No. 2 – D 926 , Song "Das Weinen" ['Gar tröstlich kommt geronnen'] for voice and piano (1827–1828)
Mezzo-soprano: middle-upper: Between soprano and alto Passaggio: crossing: A vocal range Soprano: upper: The highest vocal line Soprano sfogato: unlimited soprano: A soprano who has extended her upper range beyond the usual range of a soprano Spinto: pushed: A forceful voice, between the lyric and dramatic in weight Spinto soprano: pushed soprano