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In 1990s, Audio-Technica introduced several large-diaphragm condenser microphones for studio use: the AT4033 cardioid microphone in 1991, [1] the AT4050 multi-pattern in 1995, [6] and the AT4060 vacuum tube cardioid microphone in 1998; [7] the AT895, a DSP-controlled five-element microphone array providing adaptive directional audio acquisition ...
Akai; AKG; Astatic; AEA_Ribbon_Mics; Audio-Technica; Behringer; Beyerdynamic; Blue Microphones; Brauner; Brüel & Kjær; CAD Audio; Core Sound LLC; DJI; DPA ...
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
Blue Microphones’ first creation was the Baby Bottle, a professional XLR microphone used widely by musicians for recording. In the early 2000s, Blue's perspective pivoted to manufacture microphones for collaborating with other aspiring creatives online, synonymous with the needs of the developing consumer world of technology in the 1990s.
An electret microphone is a microphone whose diaphragm forms a capacitor (historically-termed a condenser) that incorporates an electret. The electret's permanent electric dipole provides a constant charge Q on the capacitor.
A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...
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