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Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
One question that splits critics is whether the Merchant's tale is a fabliau. [citation needed] Typically a description for a tale of carnal lust and frivolous bed-hopping, some would argue that especially the latter half of the tale, where Damyan and May have sex in the tree with the blind Januarie at the foot of the tree, represents fabliau.
However, in Chaucer's iteration of the famous affair between the goddess of love and the god of war, Vulcan is mysteriously absent. In the original myth, Vulcan is a key character in how the adulterous affair is exposed. In the original myth, Phebus(the sun) does initially "expose" the relationship by informing Vulcan of its existence.
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
The loathly lady (Welsh: dynes gas, Motif D732 in Stith Thompson's motif index), is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. [1] The motif is that of a woman who appears unattractive (ugly, loathly ) but undergoes a transformation upon being approached by a man in spite of ...
The Nun's Priest, from the Ellesmere Chaucer (15th century) Chanticleer and the Fox in a mediaeval manuscript miniature "The Nun's Priest's Tale" (Middle English: The Nonnes Preestes Tale of the Cok and Hen, Chauntecleer and Pertelote [1]) is one of The Canterbury Tales by the Middle English poet Geoffrey Chaucer.
The myth is recounted in Geoffrey Chaucer's The Legend of Good Women, and it follows a similar storyline to Livy's. Lucretia calls for her father and husband, but Chaucer's tale also has her call for her mother and attendants as well, whereas Livy's has both her father and husband bring a friend as witness.
"The Manciple's Tale" is part of Geoffrey Chaucer's The Canterbury Tales. It tends to appear near the end of most manuscripts of the poem, and the prologue to the final tale, " The Parson's Tale ", makes it clear that it was intended to be the penultimate story in the collection.