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A similar S-shaped trumpet from the Iron Age has been found at Loughnashade in Ireland. Named the trumpa créda (archaic Irish for "bronze trumpet"), it consists of two curved tubes of bronze, each comprising a quarter circle, one of which is of conical bore and one of cylindrical bore, with a joint in the middle. The Loughnashade trumpet is ...
The art of the trumpet-maker: the materials, tools, and techniques of the seventeenth [sic] and eighteenth centuries in Nuremberg. Oxford [England]: Clarendon Press. ISBN 0-19-816223-5. Bate, Philip (1978). The trumpet and trombone : an outline of their history, development, and construction (2nd ed.). London: E. Benn. ISBN 0-393-02129-7.
J. S. Bach, for example, calls for a trumpet in B ♭ in his Cantatas Nos. 5 and 90, trumpets in E ♭ in the first version of his Magnificat and, most famously, the solo trumpet in high F in his Brandenburg Concerto No. 2. In the 18th century various attempts were made to overcome the limitations in the notes available to natural trumpets.
Sep. 1—Learn about the evolving role of the trumpet in opera during an interactive presentation by conductor and educator Oliver Prezant and master trumpeter Peter Bond. During the presentation ...
Tarr owned one of the largest collections of original trumpet literature, which was acquired by the Royal Conservatoire of Scotland's Archives & Collections in 2014. He was also editor of many performance editions (including the complete trumpet works of Torelli mentioned above) as well as an authority on the history of the trumpet.
The term "baroque trumpet" has come to mean a version of the original natural trumpet, with changes to suit modern players, who tend to play both the modern trumpet and this hybrid. The hybrid instrument is most often employed by period instrument ensembles when choosing historically informed performance practice. Originals are seldom used ...
As in the modern day, instruments may be classified as brass, strings, percussion, and woodwind. Brass instruments in the Renaissance were traditionally played by professionals who were members of Guilds and they included the slide trumpet, the wooden cornet, the valveless trumpet and the sackbut.
After studying at Hofstra University, New York University, Columbia University and Merton College, Oxford, [1] where he was awarded a D. Phil. (Ph.D.) in the history of music in 1967, Smithers became associate professor at Syracuse University and, thereafter, Docent for the History of Music and Musical Performance at the Royal Conservatory of The Hague in 1975.